BLUETOPIA

BLUETOPIA

poster.jpg

Director

Stefanie Sixt

Country

Germany

Year

2020

Runtime, min

4

Genre

Experimental, Art, Electronic, Music, Nature, 2D, Photos

Language

No dialogues

Subtitles

No subtitles

Logline

Bluetopia illustrates a distance place of longing, an utopia open to everybody. It is the manifestation of „Yesterday the world was in order“ and „It´s all gonna be fine soon“, a timeless, protected space, free from rejection and condemnation - floating. Visuals The movie shows an animated collage of landscape photographs, taken by the Video Artist Stefanie Sixt at a magical place in the mountains of south Germany. The movie is an hommage to this gorgeous place, to nature itself which is so much more powerful than we are. Human do push their boundaries pretty soon spending time in the mountains. A return of the essentials, a relativization of the proportionally importance of things in life. Humbleness becomes real. The animation appears like a composition of cut outs in a foggy atmosphere - an animated set arranged as an abstract artistic landscape and space complex, inviting to daydream, to let go. It is a hommage to the pure beauty of nature. Just by rearrangement the wellknown, almost traditional turns into something abstract, reveals itself as something totally new. Music Markus Mehr approaches the topic from a critical perspective. In an ecologically and economically completely unleashed modern age, in which urban society is largely responsible for the extinction of species, land grazing, the completely unsparing exploitation of land and water, the return to what we call nature could mean a silver lining on the CO2-impregnated horizon. Bluetopia starts dissonantly, melancholically, without clearly defined structures and transforms itself in the further course to a composition full of grace. The orchestral dissolution of the piece suggests a supposed perfection, a harmonic exuberance that contradicts the previous one. On a fragile surface, blurred and distorted motifs are reflected in a sound biotope full of melancholy.

Crew:

SCRIPT: Stefanie Sixt & Markus Mehr, PHOTOGRAPHY: Stefanie Sixt, ART: Stefanie Sixt, EDITING: Stefanie Sixt, SOUND: Markus Mehr, ANIMATION: Stefanie Sixt, MUSIC: Markus Mehr, SOUND EDITING: Markus Mehr

Film still 1
Film still 2
Film still 3

Festival Awards:

Selected: WORLD PREMIERE 18e Festival international Signes de Nuit (Signs of the Night) Paris October 29th, 4pm (CET) up to Oct. 31th, 4 pm PORTUGAL PREMIERE December 30th 2020 h - 4 pm up to January 1st, 2021 - 4 pm (CET). Awarded: -

MovieScreenPro:

Awards

Official Selections 

Director

Stefanie Sixt

Smiling Girl

2021 ?wittgensteins mistresses? video stage design 2020 ?bovary - ein fall von schw�rmerei? video stage design ?bluetopia? short film ?separated waves of one ocean? sreendance short film 2019 ?europe central? video stage design ?trost? short film ?edit 1/0/0/0? av performance 2018 ?denied? spot ?rank? experimental short film 2017 ?dyschronia? av live performance ?dyschronia V? experimental short movie ?paradies fluten? video stage design for theater 2016 ?re-directed IV? experimental short movie ?tosca? video stage design for opera 2015 ?re-directed? audiovisual performance ?dreamland? photo collages 2014 ?gymnasium swarms? experimental short movie ?somewhere inbetween? experimental short movie

Selected for upcoming festivals on MovieScreenPro:

Upcoming screenings: